Campus Galleries Archives - Ƶ /news/category/campus-galleries/ Turning passion into profession. Mon, 16 Mar 2026 15:35:32 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.5 /wp-content/uploads/2021/01/RinglingCollegeFavicon_0.jpg Campus Galleries Archives - Ƶ /news/category/campus-galleries/ 32 32 The Maestro of Murano: Lino Tagliapietra guided tour with Collector Barbara Basch /news/the-maestro-of-murano-lino-tagliapietra-guided-tour-with-collector-barbara-basch/ Fri, 13 Mar 2026 11:55:58 +0000 /?p=56864 The post The Maestro of Murano: Lino Tagliapietra guided tour with Collector Barbara Basch appeared first on Ƶ.

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By Ethan Connolly ’29, Entertainment Design, and Cam Contreras ’29, Creative Writing

To celebrate the renowned works of Lino Tagliapietra, Barbara Basch has displayed a collection of his glassblown art pieces in the Richard and Barbara Basch Glass Gallery at Ƶ. The Basch glass collection features over 40 artworks that celebrate Lino Tagliapietra’s marvelous artistry.

Barbara Basch and her late husband, Richard Basch, have collected dozens of glass-blown artworks for their contemporary glass collection since 1993. Their involvement with Ƶ began in 2009, when they donated their 300-piece glass collection to the college, which is part of an exclusive gallery there. Various pieces from the Basch glass collection are displayed annually in a gallery that honors both the collection and its collectors. Their involvement did not stop there—as in 2014, the Basches gave a generous donation to Ƶ that helped erect the Richard and Barbara Basch Visual Arts Center, which has helped transform Ƶ.

The Basches became fascinated with Tagliapietra’s works when they first collected one of his pieces several years ago. The seemingly gravity-defying geometric forms, along with the bold color palette used, attracted their attention immediately. They have collected over 40 of Tagliapietra’s glassblown artworks.

Tagliapietra’s career spans well over seven decades, during which he has produced hundreds of uniquely stunning blown-glass pieces. His works derive from centuries-old traditions of Venetian glassblowing that have been infused with his own contemporary art styling to produce exuberantly dynamic forms of art. Tagliapietra’s works have always combined rich history with stunning innovation in a perfect blend.

What makes Tagliapietra’s works so visually stunning are his glassblowing techniques, vibrant color palettes, and sculptural meticulousness. When Basch was asked why she chose to showcase Tagliapietra’s works, she stated, “I want to make him feel honored. He can no longer create glass-blown works because they require a lot of upper-body strength.” The glassblown artworks displayed in the gallery are some of Tagliapietra’s most visually captivating pieces. His Dinosaur series comprises a few glass pieces that utilize scale and color in a breathtaking perspective. The twisting geometry of the thin neck gives way to a vase-like base infused with vibrant colors arranged in a radial form. Basch went on to explain that, with all of Tagliapietra’s works, there was always a level of understanding in chemistry and geometry needed to perfect the techniques used in glassblowing. Fuji, London, and Africa are a few more notoriously beautiful pieces created as an artistic tribute to those countries, with their color palettes being inspired by dominant and primary colors found within the countries. When light shines onto these pieces, the reflected color brings a new vibrance and energy to the space in which they occupy. Each glassblown piece has an intimate connection held together by themes, which serve to form relationships with those observing.

Tagliapietra’s legacy is one that will continue on. From collaborating with fellow artists to having taught students, Tagliapietra’s grasp on glassblowing has blown into other inspiring artists’ hands. Tagliapietra’s mastery of the glass medium has led to a profound career that explored the great possibilities of glassblowing. His legacy is one filled with beauty, innovation, and creative evolution, and it still continues to shape the art form of glassblowing today.

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Collaboration, connection, and community: Students from all majors get more than one lesson while organizing an exhibition /news/122723-roleofthecurator/ Wed, 27 Dec 2023 10:00:00 +0000 /?p=40623 For the second year in a row, Director and Chief Curator of Galleries and Exhibitions at Ƶ Tim Jaeger has taught a Business of Art...

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For the second year in a row, Director and Chief Curator of at Ƶ Tim Jaeger has taught a Business of Art and Design class titled, The Role of the Curator. The course is open to all majors and attracts an interdisciplinary group of students. The objective of each class is to put on a successful exhibition from scratch, including a reception and programming, giving students the opportunity to learn through experience. 

In last year’s iteration, the class organized an exhibition of artwork from the collection of fashion icon and influencer Marie Colbert, Head to Toe. Following the reception, the class organized a sustainable fashion show titled, Fresco, inspired by the exhibition. 

This year, the class organized an exhibition of the late abstract painter Syd Solomon, . The exhibition opened on Nov. 6, 2023, in the Lois and David Stulberg Gallery at Ƶ, and will be on view until March 25, 2024. Solomon’s son, Mike Solomon, will give an evening lecture in February. 

The class was broken up into four teams: marketing, creative, curatorial, and events. The teams worked collaboratively to organize every aspect of the exhibition, from event planning to marketing and installation. Throughout the semester, visiting professionals from related fields gave talks about their jobs and led question-and-answer sessions with the class, fielding inquiries from students that ranged from big-picture and blue-sky thinking to specific and technical questions. 

The student organized exhibition, Fluid Impressions: The Paintings of Syd Solomon, will be on view through March.

The exhibition consists of 20 large-scale paintings from the collection of Dr. Richard and Pamela Mones. Dr. Mones has been a semi-regular presence in the classroom, as a contributor, supporter, and audience throughout the process. 

Mones was a regular art museum visitor in his teens. In his twenties, he began collecting antiques. After moving to Florida in 2014, he felt his collection did not fit the climate, and began collecting art instead. He found Solomon’s paintings fit in well with his new landscape. 

The curatorial team selected the works for the exhibition, alongside Jaeger and Dr. Mones. They crafted the layout and flow of the show in the gallery space. The events and project management team planned all the events for the exhibit, from the private reception to the opening night and the talk by Mike Solomon. The design and creative team were responsible for the look and feel of the exhibition. They took care of the visual identity, graphics, and promotional materials. The marketing team worked on all aspects of promoting the exhibition, from social media, to print advertising, to event listings.

Behind the scenes of the class, The Role of the Curator, gives you a glimpse at how much work goes into creating an exhibition.

In addition to Solomon’s work, the exhibition also features two videos: one video, displayed as a large projection, features animated remixes of Solomon’s paintings, created by Computer Animation students in the class. Also on view is a short documentary about the class with student interviews. 

Jaeger and Dr. Mones will both be giving tours throughout the duration of the exhibition.

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